One of the things Joshua and I have done in Nairobi is a video/photo workshop with some of the musicians. Peace Tones received five Flip cameras as a donation from Cisco. The older generation Flipcams work on AA batteries, which is very practical for the areas we’re working in. As the workshop attendees had little to no experience, it was just the basics we could teach them. Of course Flip cameras only do video, but some of their phones also shoot photo and because we only stuck with the basics, we could deal with both video and photo.
A quick lesson in composition (rule of thirds), tips to keep the camera steady and how to zoom and pan gently. But probably the most important thing we taught them was: how do you deal with the light. So we shot in front of a window, to see how you can deal with back light and silhouette We shot outside in the shade or in direct sunlight, to see what hard and soft shadows do. We even temporarily created a reflector with our posters to show them how that worked and how to soften the hard shadows that appear in direct sunlight. It’s fun to explain some of the things you’ve been doing on automatic pilot for a while. It actually makes you realise why you do the things in a certain manner or order.
It was amazing how eager and inquisitive the musicians were. They recorded everything. The idea behind teaching these musicians about videography is that, in the future, they will be able to make videos and photos to promote their music. This way they can create a wider fan base and the work of Peace Tones is not only limited to the weeks we were there, but it can continue.
this photo was taken by Joshua
Entering your photos in a contest; it’s supposed to be a smart move, but I really don’t like it. Of course I understand it’s a good way to reflect on your work, sharpen your selecting skills and it’s a great way to get some free publicity or great prices IF you win.
Would this photo, taken during my stay in Peru, have a chance of winning? I haven’t submitted it yet to any competition.
But that’s the whole problem; I hate selecting my own work… It’s not that I can’t see one photo is photographically better than te other, but the “feel” of a photo is also important. If not more important. This is where it gets tricky, as a lot of photos have more feel to me personally than to most viewers… I was there, I know the story!
This shot taken in Mumbai actually got a “mark of excellence” in the I-shot -it competition.
This shot makes my heart beat faster, was used by Transcontinenta as a cover for a special edition yearbook, but hasn’t won anything in a competition…. yet.
When selecting just one photo it’s still relatively easy… you just pick one that makes your heart jump or that others like and repost a billion times on social media. You can still talk about taste and preference, but that’s just what it is.
It’s the series which give me the hard time. Most of the time they give you a restriction of X photos. And for some reason I always end up with X plus some, to tell the whole story. I guess this also is just a matter of perseverance and practice… so I’ve started to enter some of my work.
These are shots taken during a project with autistic children in Peru. I didn’t select these three for entering this serie in a contest. To see all the photos check here and decide which seven pictures you would send in…
I’m mainly entering competitions where there are actual jurors and no “social voting system”. On the one hand because this gets me actual feedback on what I’m doing and on the other hand so I don’t have to spam my entire network. Also I’m entering some competitions that actually cost money… I look at this as “learning tuition” that I’ve never spend on an actual course, school or training.
This picture I’ve never entered in a competition… still it got me some amazing publicity…
As for the publicity side of things; It’s always good to have people notice you and even blog about you… as you can check here, you might end up in one of those “best of the year” lists that come out by the end of the year. Thanks a lot for checking out my blog this year, have a great new years eve and hopefully see you all next year!
Yesterday we had a gathering of families with an autistic child. They came together to get to know each other, talk, drink hot chocolate milk and have their kids play together, including the non autistic brothers and sisters. The idea behind it was to form a parenting association (I have no idea if that is te proper English term for it.)
It was a great afternoon and besides documenting the event, I was asked to make some family portraits in the tradition of Peru… very posed. It’s not what I normally do, but I loved the challenge. Especially as some of the autistic kids didn’t want to stand still or stand there with their parents. Therefor sometimes I had to improvise, but it all worked out.
In the mean time some of the kids decorated the place, making beautiful chalk drawings on the floor. Others played a game on the phone, or just sat in silence in a corner.
It might be a bit to early… but at least I won’t forget… also I can take this opportunity to thank all of you people checking out my blog, today number 600 hit the follow button. Thanks, without you guys it would be a lot less fun to write down my adventures.
December 1st I will travel to Peru to make a reportage on autistic children in Cuzco. The Dutch foundation Abrazos (sorry the website is in Dutch or Spanish) has asked me to make a reportage on their work and the families that benefit by their help. Their goal is to raise awareness and provide knowledge about autism in Peru. By now they help over 170 different families in Cuzco.
For this project I’m not to worried about my photography skills. But I have no experience what so ever with autism. I have no idea what to expect and I don’t know how these children will react on a stranger being near… specially a stranger holding a camera.
Most of the time I play things by ear, not preparing anything. This helps me to approach my subject without any prejudice. Whether you read a book, watch a documentary or listen to a story, you will always be looking or listening to/at somebody else’s vision. I prefer to experience things first hand. That’s why I love to travel and why I love my job as a photographer; I get to see, feel and form my own vision of whatever I’m documenting… (Of course I do check if I need some safety precautions where ever I go.)
This morning though, I had the chance to prepare a little bit for my trip to Peru. A friend of the foundation lives here in the Netherlands with his autistic son, who was born in Peru. So today I have spend two hours with Patrick and his son Gijs. Observing Gijs and talking to his father, I do have a little bit of an idea of what lies ahead. (although Patrick also pointed out that autism comes in many ways and forms.) These are some photos I took this morning.
One thing is for sure, it’s going to be an intense and very interesting month. Of course I’ll keep you posted here and on my Facebook page.
I take photographs to understand. To observe a world that is unknown to me. To look at situations I’ve never been in.
So when I got the opportunity to photograph 5 days out of the life of an activist, I jumped at the occasion. And what an opportunity this was: shadowing the director of Greenpeace International, Kumi Naidoo, for 5 days in Istanbul, while he was attending the Global Power Shift conference, meeting with journalists and marching through the streets of Istanbul, raising awareness about how the fossil fuel threatens the climate and environment. And all of this, only weeks after the Gezi protests sparked unrest in the entire Turkey.
Greenpeace Turkey’s staff and volunteers were involved in the initial protest against the demolition of Gezi park, one of the only remaining green areas in the vast city of Istanbul. We also joined a protest to commemorate all the people that were killed in Turkey during the past few weeks.
Now, looking back at it, I can honestly say: ”That man is a machine”. And I mean that in the most respectful way I can possibly think of. Imagine a work day that starts early in the morning and doesn’t end until the night comes, seven days a week, for a cause he so strongly believes in. And imagine that there is rarely a glimpse of tiredness to be seen. Every person he meets, every group he addresses, every interview he gives, is with warmth, contact, focus and attention. One late night he started a conference call and was on for several hours, just as I went to my hotel room to sleep. I just couldn’t keep up.
In the quick moments between meetings, he makes calls, deliberates with his colleagues, or listens to spoken Turkish words on his phone so that he will pronounce them the right way when speaking at the rally we were going to.
I’m aware of my special position. Everyone who meets this man, gets a certain amount of time, dedicated specially to them. After that, he’s gone and you have no idea what he is going to do next. This man lives in a constant hyper focus with the ability to convey what his vision of a better world is. I got to see, up close and personal, how this man shifts between tone and the words, often explaining the same issues. To 20 volunteers, the message has to be brought differently than on a live TV program for the Turkish public. But the message is the same: a better world is possible. The intensity is overwhelming each time, and it was empowering to see how one person can inspire so many.
So here I am, in Istanbul. Not to capture the events on Taskim Square, but to shadow the head of Greenpeace, mister Kumi Naidoo. He will be attending the conference of the Global Power Shift.
Still, I’ll meet him tomorrow, so tonight I did go to Taskim square. What else would you do ;-) As I was still carying my luggage, looking for my hotel, I didn’t make a lot of photos on arrival. But I did take a few, because the amount of police there was overwhelming.
Tonight I went back and I took some more. A perfect moment to check out the high ISO settings (2000) on the Monochrom, combined with a 1/30 or less shutter speed and an apperture of f2.0. I have to say… it delivered.
Luckily there wasn’t to much action, otherwise the slow shutter speed would have been a problem. Actually it was quite interesting to see some people demonstrating, police joking around with each other and venders trying to sell their food and balloon swards. Kind of surreal. And so very busy even on a Tuesday night at 23.30 h
Being back home, I notice everything changes. I need to find my way again. Where I was holding a camera nearly every day for five months during my trip, now I’m holding one maybe twice a week. For the rest I’m talking to people, figuring out what to do next, meeting people etc etc.
Luckily, there were some people that have been following my journey and they decided they want to make a book out of the India journey. An offer I just couldn’t refuse.
So here I am, sitting in my office, music out loud, trying to reduce the huge selection of photos back to about 150 pictures. It’s hard to kill your darlings and even harder to find a proper balance between close up portraits and street views and everything in between. But it’s also very rewarding and flipping back through all I have shot, I’m traveling again. I see new things, experience new emotions, I can sometimes even smell the atmosphere that was there at the time I took the shot.
Of course I’ll keep you posted on the developments of the book, either here or at my facebook page.
Back home for nearly two weeks, it’s time to look back at a wonderful trip. Because I had to return the Monochrom to Transcontinenta BV, who very kindly supported me with the camera for this long experiment, I would like to look back at working with this wonderful camera.
It felt like a crazy decision at first, going to the land of colour with an all black & white camera. And the first month I did have some doubts. I even turned back to the M9 some times. Which I only brought with me as a backup. But during the trip I fell in love with the camera. By now, I actually don’t see a reason not to switch from the M9 to the Monochrom. In these two weeks back home, I think I’ve figured out why this B&W camera got to me. Some of the questions and remarks I had on my blogs and facebookpage, helped me discover this. Thank you for that!
As I told you in an earlier blog, I use my camera to interact with the people I meet or to cope with the situations I’m in. I use a lot of energy connecting with my subjects. I have figured out that the Monochrom helps me to safe more energy. The way it does that, is taking away choices.
When I was shopping in the Netherlands for the first time in 5 months, I suddenly realised that making a choice, does cost me energy. In India, shopping for cornflakes, will give you cornflakes. There’s only one kind. (if they have any at all!) Here in the Netherlands, it takes me 5 minutes to figure out which cornflakes to take and then I have to choose if I want a small package or a large one. Same happens when buying the milk to go along with it. It takes time, and therefor energy to make such decisions.
With photography it’s the same thing. Most “modern” cameras have so many options I don’t know where to start. Specially when the camera is equipped with a 24-70 mm zoom. With the Monochrom and its 35 mm Summicron, there is very little choice. Actually there’s close to none. This camera is as basic as they come. Therefor all my energy can be spend with the subject of my picture.
That said, I did have to become a craftsman before I could use this camera in such way. The technique had to be ingrained in my hands and in my mind. Luckily I had done so in the past two years with the Leica M9. Now I’m shooting the same way as I did when I started photography: Instinctively. The only difference is that now, I know what I’m doing, so I can work with a minimum in choice and a maximum in quality (camera) and knowledge (technique).
The Black & White aspect is another important aspect of why I love this new Leica. In the same blog I referred to before, there’s another reason why I take pictures. I need to observe. I need to step away from the story to actually see the bigger picture. For me personally, colour distracts me from the story. Whenever I see a picture in colour, the first thing I see is colour, vibrance (or lack of) and contrast. When I look at a monochrome picture, the first thing I see is a story. To me there’s only one exception to this and that is when colour or it’s vibrance, ís telling me the actual story.
Of course I could also “sell” the camera with it’s toning, beautiful sharpness, it’s dynamic range etc etc. But every advertorial or advert will tell you this. For me personal this is not that important. A camera is good or it’s not. What’s most important for me, is that it lets me do what I like to do the most: Get to know the world and tell my stories as I see them.